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Fulltone FPS-1 Negative Center Pin 9V AC Adapter
Our Price: $19.95

Fulltone FPS-1 Negative Center Pin 9V AC Adapter

The problem with most wall-wart adapters is that they aren't regulated, some straying up to 13 volts or so, causing hum and horrible tone—enter the Fulltone FPS-1 (200 mA.) regulated adapter. It's dead quiet and exactly 9 volts no matter what your wall AC is putting out. This adapter has the standard 2.1mm x 5.5mm end with a negative center pin and will work with most effects pedal from BOSS, Ibanez, and other pedals from Fulltone that include the FD2, OCD, Bassdrive, UltOct, '70, and CF-1.
Fulltone FPS-2 Center Positive Pin 9V AC Adapter
Our Price: $24.95

Fulltone FPS-2 Center Positive Pin 9V AC Adapter

The FPS-2 adapter from Fulltone delivers a consistent 9V regardless of what your wall AC is pumping out. This adapter has a positive center pin and is designed for use only with the '69, SoulBender, and OctaFuzz effect pedals.
Fulltone FB-3 Fat Boost 3 Guitar Effects Pedal
Our Price: $79.20

Fulltone FB-3 Fat Boost 3 Guitar Effects Pedal

The Fulltone FatBoost 3 effects pedal replaces previous versions 1 and 2, marrying everything that people liked about both versions while improving on them in a few key areas:

•The FB-3 brings back the v1 11-position Gain control to give the ultimate in control over the FETs
•The FB-3 adds one more stage of FET so that the pedal does not invert your signal
•The FB-3 cures v1's huge bass increase and dull high-end issues, but allows those sounds as well should you so desire

The Fulltone FatBoost 3 is a discrete, Class-A, FET (Field-Effect-Transistor) guitar pedal offering up to 35dB of non-distorted gain without changing your signature sound, unless you want that. You can fatten/distort your tone, brighten or mellow up the sound, add or subtract bass, and even add harmonics. The FB-3 has true-bypass switching (via the Fulltone 3PDT) and incorporates a super-bright LED without the loud popping sound thanks to Fulltone's proprietary anti-pop circuitry.

FET's can behave like tubes in a properly designed circuit. They can clip (distort) in a pleasing way instead of being buzzy or spiky-sounding (like a transistor) and can also add a subtle limiting to the signal which can even out the volume making your live and recorded tones more pleasing to the ear. If you're a recording engineer, you'll be happy to know you can use the Fulltone FatBoost 3 on everything from acoustic and electric guitar to electric bass, and even snare drums.

The FatBoost 3 pedal works great in front of non-Master Volume tube amps to goose them into submission, as well as through Master Volume amps to drive them much harder than possible with just your guitar alone. It also works very well on bass, acoustic guitars (with pickups), and is ideal at the end of a pedalboard effects chain to completely eliminate the tone loss caused by long guitar cable runs back to your amp. Doing so will allow the use of 50' (or longer) cable lengths with no signal degradation whatsoever.

This version of the Fulltone FatBoost (FB-3) incorporates all of the things that people have loved about previous versions of these effects pedals in the past without any of the shortcomings. It brings back the 11-step FET Bias Drive knob that was missing from the FB-2. You'll notice that this knob makes a slight scraping noise when you turn it. Fear not, as that is totally normal, and is simply the sound of the Bias changing and settling on the FET MuAmp. The FatBoost 3 gives you the feeling that your amp is cranked at living room volumes so your playing is more dynamic and notes hold on longer without being distorted. It makes up for all the tone loss that (even true-bypass) pedals impart to your sound, especially if you have a lot of pedals on your pedalboard.
Fulltone CT-1 Catalyst Guitar Effects Pedal
Our Price: $79.20

Fulltone CT-1 Catalyst Guitar Effects Pedal

The Fulltone CT-1 Catalyst Guitar Pedal is equipped with a simple circuit that uses only discrete FET's to achieve its throaty roar. But the Catalyst stompbox brings something more to the table because it to does things that many other fuzz pedals can't.

With its mini-toggle switch set to "Spark," the Catalyst effect pedal offers clean boosts, sweeter overdrives and all sorts of distortion sounds. Want more? Flip the switch to "Flame" and you'll be treated to a host of less civil overdrives, unique distortion voicings, and a plethora of vicious Fuzz sounds, all of which clean up with a twist of your guitar's volume knob, with a linear transition from clean to mean.

To further enhance your tonal control, the Catalyst guitar pedal offers a pair of very effective low-loss tone controls that set it apart from the masses. Standard tone stacks often end up cutting so much gain that the effect designer has to make up for this loss later in the circuit, and many times you loose some of the magic in the process. Not so here because the Fulltone CT-1 Catalyst pedal's low-loss Bass/Mids knob dials out the flubby low-end, with the added bonus of supplying varying amounts of rich midrange when the Bass/Mids knob passes the 3 o'clock mark.

This midrange, on top of an already wildly distorted tone, has the effect of increasing sustain to insane proportions as well as breaking you out of the standard super bright/super bassy Fuzz mold. Need to smooth out the highs? Simply turn down the Treble mini-knob—a low-loss hi-end roll-off—allowing you to shave off as much of the treble as necessary.

Finally, many Fuzz pedals can have wacky input and output impedances, making it difficult to match-up successfully with wah-wah pedals and non-true-bypass buffered pedals. The Fulltone CT-1 Catalyst has none of these issues, sporting a friendly 1-meg input impedance and an astonishingly low 10K output impedance. When's the last time you had a fuzz work with a vibe or wah-wah? Things have changed, indeed.
Fulltone Obsessive Compulsive Drive
Our Price: $111.20

Fulltone Obsessive Compulsive Drive

The Fulltone OCD—Obsessive Compulsive Drive—overdrive pedal packs classic OD tones into a compact pedal with simple, no-fuss operation. From heavy crunch rich with overtones and feedback to spanky cleans, the OCD delivers the sounds of a great tube amp, as sell as the same sensitivity and response to your playing style.

Along with standard Volume, Drive, and Tone controls, the OCD's HP/LP (High Peak/Low Peak) switch takes the pedal from a clean boost to manic, sustain-laden distortion. True bypass switching.

The Fulltone Story
Fulltone was founded in 1991 by Michael Fuller, a session guitarist, composer, performer, electronic tinkerer featured in Guitar Player magazine, and first place winner in their "Ultimate Guitarist Competition" Blues category. Fulltone pedals were born out of a love for music, tone, Led Zeppelin, Jimi Hendrix, etc. Early on Fuller developed a love for fine vintage pedals, and his frustration at the inconsistencies and the often fragile nature of old gear drove him to start Fulltone. Rich, Fat-sounding TONE TOOLS with a reliable build quality is the goal. Fulltone effects carry a 5 year warranty and are built for (and by) musicians.

Fulltone use True Bypass switching (with L.E.D. status indicators) in all our pedals, whenever possible. Most other pedals have a buffered output that destroys the performance of most pedals that follow in the signal-chain. Fuller says don't be fooled by the claims of "Pure Bypass," "Hard Bypass"...etc. These are just catch phrases to divert your attention away from the fact that those pedals are not true-bypass. I designed and manufacture the Fulltone 3PDT , the world's only Super-Duty Triple-Pole Double-Throw footswitch

Fullertone manufactures their own custom potentiometers because what has been offered as "Industry Standard" has a 20% failure rate within 2 years is not acceptable to them.

All Fulltone pedals are handbuilt & tested at their shop in Southern California using full-sized top-notch components. In the Choralflange, a rather complex pedal as analog designs go, there are NO miniature surface mount chips, capacitors, or resistors. They have their wire custom-made, and it's 22 gauge copper stranded with no tin-coating, so it stays flexible over the years without breaking. You might not know or care about components, but you'll certainly hear the FAT, clean, warm results.
Fulltone Fulldrive2 MOSFET Overdrive/Clean Boost Guitar Effects Pedal
Our Price: $111.20

Fulltone Fulldrive2 MOSFET Overdrive/Clean Boost Guitar Effects Pedal - Blue

Housed in a beautiful, powdercoated blue 16-gauge steel enclosure, the Fulltone Ful-Drive 2 pedal is capable of everything from clean boost to raw, non-compressed overdrive via its two switchable channels. With Volume, Tone, Overdrive, and Boost knobs along with toggle switches for selecting Vintage/CompCut modes and MOSFET/Standard overdrive styles.

MOSFET and Standard modes each deliver their own clipping style, with the MOSFET adding more bottom end and roundness to the sound. The pedal's Tone knob is an effective presence control that can smooth out or add upper harmonics. Vintage mode provides a traditional midrange bump.

The second, footswitchable Boost channel, with its own separate distortion control, is perfect for medium- to higher-gain overdrive with a more singing, violin-like sustain.

Named the Best Stompbox of 2006 by Guitar Player magazine, it'll do great things for your sound.
Fulltone 70-BC Fuzz
Our Price: $111.20

Fulltone 70-BC Fuzz

The Fulltone '70 hearkens back to day when Fuzz was Fuzz. If you want polite, this isn't for you! Using a pair of intentionally mismatched silicon transistors, this fuzz pedal snarls and spits (the mismatch is all about harmonic content). Setting the Fuzz at "10" opens the doors to tones that will rip the flesh - not for the faint-hearted! Housed in a deep blue 16-gauge steel box, this monster offers more aggressive fuzz than the '69 and includes a mid control for extra clarity. The '70 provides some mean fuzz!

Long-lasting pots
Fulltone's custom-made brass-shaft pots are among the strongest and smoothest feeling pots available. These amazing pots are mounted to the interior PCB board via a proprietary "thru-PCB" method rather than having the pot be secured by the pot terminals, drastically reducing pot-related failure. This method keeps Fulltone pedals up and running for the duration of your playing days. Plus, this eliminates the need for a bunch of jumper wires, keeping your tone as pure as humanly possible.

Who uses Fulltone?
The list of Fulltone fans reads like a who's who of guitar heroes. Both Ron Wood and Keith Richards have Fulltone gear in their touring rigs, as does Nigel Tufnel from the legendary British metal band Spinal Tap, and Boston bad-boys Joe Perry and Tom Hamilton. Punk/rockabilly mainstay Reverend Horton Heat is a Fulltone convert. Other notable Fulltone users include Pearl Jam's Stone Gossard, Jack Bruce of Cream, perennial alt rocker Lou Reed, and Tom Petty along with Heartbreaker Mike Campbell.
Fulltone PlimSoul Distortion Guitar Effects Pedal
Our Price: $127.20

Fulltone PlimSoul Distortion Guitar Effects Pedal

For many, many years you've basically had 2 choices for your overdrive and distortion pedals. You could either get "Soft-clipped" Bluesy, slightly compressed-type overdrive pedals, or you could get "Hard-Clipped" type distortion pedals.

Now, the Fulltone PlimSoul guitar effects pedal offers both distortion and overdrive for a great price.

The Fulltone PlimSoul guitar pedal has those softer, bluesey, compressed capabilities but also has a second stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube-style Distortion. What's more is you not only hear and feel it—you can see the Fulltone pedal reacting to your every mood via a fiery LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.

It's touch sensitive, cleans up with the guitar's volume control, sounds superb with either humbuckers or single coils. And with a 500kOhm input impedance and ideal super low 10K output impedance, the Fulltone PlimSoul plays nice with other effects pedals. It goes from very clean to very dirty, giving your tone a vast range of tonal control to customize to your liking.

The Fulltone overdrive/distortion pedal can blend both soft clip/hard clip distortion types, or isolate one or the other. The sound possibilities are truly endless.

This Fulltone guitar pedal offers extremely good sustain/feedback qualities, just the right amount of mids and bottom, great touch sensitivity, dynamics, and all those in-between shades available created using your guitar's volume control.
Fulltone Secret Frequency Overdrive/Distortion Guitar Effects Pedal
Our Price: $127.20

Fulltone Secret Frequency Overdrive/Distortion Guitar Effects Pedal

This is the Fulltone “Secret Frequency. “Secret Freq.” for short. Although it does the gig-friendly clean boost and OD thing as good as any, it goes well past that when asked to, right into Rock territory while retaining a natural sound.

Dynamic asymmetrical clipping gives the Secret Freq. a sweet, musical clean boost, juicy overdrive, and rich, touch responsive high gain sounds. Not like the PlimSoul, nothing like the OCD, and not like any other pedal, but worth the price of admission were you to use it simply as is for your “bread and butter” OD/Distortion pedal.

But the ‘Freq has WAY more tricks in its bag than your average transparent OD/Distortion... it just may knock a handful of OD/Distortions right off your ’board and straight on to Ebay thanks to another innocent looking knob labeled “Freq.”.

Turn it Clockwise and the proprietary circuit adds as much as 20dB of active narrow band juicy MIDRANGE right where it does the most good. It‘s like installing a wah-wah right where the distortion is being generated. But unlike turning on your wah-wah along with a distortion pedal, with the ‘Freq. the bass and treble frequencies don't disappear. It's very unique, and not to be confused with a simple active or passive midrange control tacked on to the end of the circuit, as is the case with all other pedals you’ve tried with a “Mid” control. Adding the ‘Freq’s midrange imparts WAY more sustain and lets you easily place the guitar in the mix where you want it, irrespective of volume... the soundman's not going to bury you anymore.

Along with a slew of basic great OD/Distortion pedal sounds, it allows you to replicate a very, very wide range of your favorite guitar & amp sounds. Remember that when the ‘Freq. knob is fully-counter-clockwise the Midrange enhancement effect is OUT of the picture and the pedal is a truly versatile and natural sounding pretty transparent OD/Distortion! At low to mid overdrive settings, turning the ‘Freq knob up a little gets hammer-of-the-Gods' penetrating PUNCH!

Turning the Freq setting to a more extreme (clockwise) setting will bring a smile to your face and evoke the coolest Jimmy Page, Brian May, Michael Schenker, Robin Trower, Tom Scholz tones that you just couldn’t previously get without a bunch of studio EQ, just the right setting on a great wah-wah, or a slew of British amps. The prediction: the Secret Freq. is going to become an indispensable part of many guitarist’s arsenals very soon.
Fulltone FatBoost FB-2
Our Price: $134.99

Fulltone FatBoost FB-2

The Fulltone FatBoost2 FB-2 is a Class A 100% JFET design that offers excellent headroom before clipping. The pre-clipping Bass Control helps you keep your sound tight when using the rhythm pickup and the Treble Control lets you control the sparkle of the top end or brown it up for more aggressive tones. The FatBoost 2 also performs double duty as a natural compressor, as well as offering a bit of Tweed-like tones with the Drive control. Take control of your tone with the FatBoost2!